包含9節(jié)視頻教程
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和老師學(xué)習(xí)場景的原畫設(shè)定技術(shù),就像你在創(chuàng)造世界的感覺一樣。你想怎么畫就怎么畫,全部由你想想來決定。老師將會教你如何繪制一副完整的商業(yè)場景原畫設(shè)定!
我開始的想法是做一個(gè)2.0版本的DESTROYER,一個(gè)我?guī)讉(gè)月前創(chuàng)建的圖像。我的目標(biāo)是重新設(shè)計(jì)整個(gè)機(jī)甲,以便給他更多的吸引力。
通常我喜歡立即開始使用顏色,所以我使用漸變工具設(shè)置漸變顏色背景。
I started with the idea to do a 2.0 version of THE DESTROYER, an image that I created a few months ago. My goal was to re-design the entire mech in order to give him more appeal.
Usually I love to start immediately with colors, so I set a gradient color background using the Gradient tool.
我選擇了一種綠色的色調(diào),因?yàn)槲蚁虢o這個(gè)世界末日的場景營造一種不健康的氛圍。
I chose a tone of green because I wanted to give an unhealthy atmosphere to this apocalyptic scene.
然后我開始用一個(gè)很簡單的草圖來描繪一些建筑的輪廓
Then I started with a very simple sketch of some building silhouettes
在整個(gè)過程中,我使用了三個(gè)標(biāo)準(zhǔn)的Photoshop畫筆
During the entire process I used three standard Photoshop brushes
柔軟的圓刷,柔和過渡,煙霧朦朧
硬圓刷
采樣刷子來實(shí)現(xiàn)紋理效果
Soft Round brush for soft transition, smoke and haze
Hard Round brush
Sampled Brush to achieve texture effects
然后,使用硬圓刷快速繪制草圖; 我開始機(jī)甲的形象。 我決定把作品的某些部分從作品中刪去,以強(qiáng)調(diào)他的比例。 在這個(gè)階段,我嘗試著定義機(jī)器的體積和形狀,并決定用一束激光武裝它,就像蜘蛛射出它的線。 這種激光將成為他的毀滅性武器
Then, with a quick sketch using the Hard Round brush; I started to introduce the figure of the mech. I decided on purpose to leave some parts of it out of the composition to emphasize his proportions. In this phase I tried to define the volumes and shapes of the mech, and I decided to arm it with a laser beam exactly as a spider shoots its thread. This laser will be his weapon of destruction
我在機(jī)甲上添加了更多的細(xì)節(jié),并繼續(xù)使用刷子給它一個(gè)繪畫的感覺。
I added more details on the mech and continued using only brushes to give it a painterly feel.
然后我開始把注意力更多地放在激光束上,尤其是在機(jī)甲的堅(jiān)硬表面反射光線的過程中。我還增加了一些LED燈的護(hù)甲。當(dāng)這篇作文幾乎完成的時(shí)候,給人一種熾熱的感覺
Then I started to focus a little more on the laser beam, and especially on how the hard surfaces of the mech were reflecting lights. I also added some LED lights to the armor. I gave a sense of incandescence later on when the composition was almost complete
在這個(gè)階段,我開始覺得有必要讓機(jī)器人與另一個(gè)物體互動,所以在右下角,我決定把一個(gè)互補(bǔ)的主題放在場景中。 一種從機(jī)甲怪物逃跑的軍用卡車。
我勾勒出他的拖車正在經(jīng)歷高速扭轉(zhuǎn)和猛烈的轉(zhuǎn)彎,只是為了使其更具動感。
At this stage I started to feel the need to make the mech interact with another object, so in the lower-right corner I decided to put a complementary subject in the scene; a sort of military truck escaping from the mech monster.
I sketched the silhouette like his trailer was experiencing high speed torsion and violent swerves, just to make it more dynamic.
為了給激光束提供更多的能量,我使用了一張我在網(wǎng)絡(luò)上發(fā)現(xiàn)的爆炸圖片
To give more power to the laser beam I used a picture of an explosion I found on the web
我使用套索工具選擇了火的部分,并將其拖到我的繪畫上,然后在屏幕模式級別上進(jìn)行轉(zhuǎn)換
I selected the fire area with the Lasso tool and dragged it on to my painting, then converted it on a Screen mode level
我復(fù)制并縮放圖層,將其移到建筑物上,來增加更多的火焰和破壞感
I duplicated and scaled the layer to move it on to the building in order to add more fire and a sense of destruction
該點(diǎn)火了!我創(chuàng)建了一個(gè)新的圖層,用油漆桶工具填充黑色,然后將其轉(zhuǎn)換成顏色減淡模式。我們的黑色層變得透明;在這一點(diǎn)上,我用一把刷子和一種黃色和橘色的暖色顏料在燈光上涂上顏色,使它們變得白熱而明亮。
Time to light the fire! I created a new layer that I filled in black using the Paint Bucket tool and then converted it to a Color Dodge mode. Our black layer became transparent; at this point I used a brush and a warm yellow and orange color to paint over the lights in order to make them incandescent and bright.
我還在天空中增加了導(dǎo)彈的蹤跡
I also added trails of missiles in the sky
到了最后一步,我想花更多的時(shí)間在激光的爆炸上,以盡可能多的寫實(shí),用我的畫筆畫出碎片和火花。我還增加了霧霾和煙霧,特別是在巨大的機(jī)甲后面,把它從背景中分離出來
Arriving at the final steps, I wanted to spend more time on the explosion caused by the laser, in order to add as much realism as I could by painting debris and sparks of fire using my brushes. I also added haze and smoke, especially behind the giant mech, to separate it more from the background
我喜歡使用燈光,所以我再次使用了顏色減淡圖層,我花了更多的時(shí)間用橙色和黃色的其他觸摸來照亮我的械甲,特別是暴露在爆炸燈光下的部分(圖17)。我添加了一點(diǎn)藍(lán)色來結(jié)束這個(gè)階段,并進(jìn)行最后的調(diào)整。
I love to play with light, so using the Color Dodge layer again I spent more time illuminating my mech with other touches of orange and yellow to the armor, especially the parts most exposed to the explosive light (Fig.17). I added a touch of blue to end this phase and jumped to the final tuning.
我添加了最后的觸摸來設(shè)置場景的最終顏色。我給了這幅畫一個(gè)溫暖的色調(diào)和一點(diǎn)對比度,使用曲線調(diào)整圖層,——瞧,拆除機(jī)甲完成了!
I added final touches to set the ultimate colors of the scene. I gave the painting a warmer tone and a bit of contrast using a Curves Adjustment Layer and - voila - The DEMOLITION MECH was finished!
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